Home FESTIVALS Int. Review of Composers 15th Int. Review of Composers

15th International Review of Composers

15th International Review of Composers
November 18-21, 2006

November18th

11 am, Kolarac Hall

FORMAL OPENING AND PRESENTATION OF THE MOKRANJAC AWARD (winner Dejan Despić)

RTS SYMPHONY ORCHESTRA
Conductor BOJAN SUĐIĆ

JASNA MILIČIĆ-BRANDŠTETER, English horn
ERIC FRITZ, tuba
IVANA KARAGUNOVIĆ, soprano solo

Dejan Despić Diptih op. 166 for English horn and chamber orchestra
Vladan Radovanović Glasovi zemljana for mixed choir and symphony orchestra
Ivan Jevtić Concerto for tuba and orchestra

8 pm, Belgrade Philharmonic Hall

SLAVKO OSTERC TRIO
Nina Prešiček, piano, Liza Hawlina, flute, Dejan Prešiček, saxophone
ENSEMBLE OF SOLOISTS OF THE BELGRADE PHILHARMONIC ORCHESTRA
Conductor JÜRG WYTTENBACH

Giacinto Scelsi Natura Renovatur (1967) for eleven strings
Jürg Wyttenbach Division (1964) for piano solo and nine strings
Ivan Brkljačić Fliza (2006) for flute and chamber orchestra
Svetlana Savić Trans-versions (2006) for chamber orchestra
Giacinto Scelsi Kya (1959) for soprano saxophone and seven instruments
   
 
November 19th, 8 pm, Belgrade Philharmonic Hall

Svetlana Savić D-versions for tape

Recital of the violinist ANA MILOSAVLJEVIĆ – Consecration to Nikola Tesla

Milica Paranosić Al’ Airi Lepo Sviri (2005) for violin, tape and video
Michel van der Aa Memo (2003) for violin and portable cassette recorder
Aleksandra Vrebalov Lila (2004) for solo violin
Svjetlana Bukvich-Nichols Before and After the Tekke (2006) for solo violin and tape
intermission
Dušan Bogdanović Sonate Printaniere (2006) for violin and piano - Terezija Cukrov, piano
Frances White The Old Rose Reader (2004) for violin, electronic sound and video
Neil Rolnick Fiddle Faddle (2003) for solo violin and computer


November 20th, 

6 pm, Guarnerius Centre of Fine Arts

ENSEMBLE ACROBAT
Artistic direction DAVID DANZMAYR
Nicole Pressler, flute, Theodor Burkali, clarinet, Timea Hám, violin, Dieter Nel, violoncello
Isabel von Jakubowski and Julio Moguer Mayo, piano

ELISABETH KALLOS, voice

Reinhard Febel Die Masken des Pierrot  for soprano and piano
Fausto Tuscano Strofe for soprano and ensemble
Reinhard Febel Choralbearbeitungen nach Johann Sebastian Bach for piano four hands
Jee Soo Shin The Sound of Quiet Thoughts for ensemble
Reinhard Febel Dodo for soprano and piano
Reinhard Febel Zen and the Art of Piano Playing for solo piano

8 pm, Belgrade Philharmonic Hall

CHAMBER MUSIC CONCERT

ENSEMBLE FOR NEW MUSIC
Conductor BILJANA RADOVANOVIĆ

Milica Đorđević SIVO for alto flute, bass clarinet, viola, violoncello and piano
Miloš Zatkalik Izgubljeni fragmenti  for clarinet, violoncello and piano
Mirjana Živković Tri načina a suite for flute and piano
Thomas Herwing Schuler Geneté for violoncello and piano, Op.15 
Andrew Staniland Full Circle for guitar
Aleksandar Damnjanović Quatre poèmes française for voice and piano, lyrics by R. M. Rilke
Aris Carastathis Holiday Traffic for flute, marimbafon and violoncello
Dragan Latinčić I torri di San Gimignano for brass quartet, strings and percussion
Đuro Živković The White Angel for chamber orchestra


November 21st, 8 pm, Belgrade Philharmonic Hall

ENSEMBLE ACROBAT
Artistic leader DAVID DANZMAYR
Nicole Pressler, flute, Theodor Burkali, clarinet, Timea Hám, violin, Dieter Nel, violoncello, Isabel von Jakubowski and Julio Moguer Mayo, piano

Manuel de Roo Seelenwanderung-Ostwind for ensemble
Juan Garcia Rodriguez Polly Nichols’ Sketch for ansamble
Anna Malek Trifida for piano solo
Josef Irgmaier Zum arabischen Coffee-Baum for ensemble
Theodor Burkali aMorte for bass clarinet and violoncello
Renato Miani Doubles II for ensemble
Irena Popović Der Brief für meinen Vater for ensemble
Simone Movio Di fragili incanti for ensemble

On November 20th, 21st and 22nd Professor Reinhard Febel is giving a seminar for composers in the Goethe-Institut in Belgrade. The participants are young composers from Tirana, Sarajevo, Banja Luka, Skoplje, Cetinje, Novi Sad and Belgrade

The concerts of the Ensemble Acrobat and the seminar of Prof. Febel are organized in co-operation with the Goethe Institute and with the financial help of the Stability Pact for South-Eastern Europe